Tag Archives: books

100 Selected

E E Cummings

cover from a different collection of Cummings' poetry

poems of e. e. cummings.

It’s one of my all-time favorite books, one of the few I’ve dragged with me just about everywhere for the last 5 years. It’s a book I’ve always read in transit; I read it commuting in and out of Boston, commuting to and from San Francisco, touring around London and again traveling around New York. No matter where I am, Cummings can always made me smile. His clever word play, love of April, spring and love warms my heart like fond memories of an unspoiled day.

Something fascinating about re-reading books, especially those I’ve read well with margin notes and shaky underlines, are the layers of familiarity in the text, because I have genuinely created a relationship to this book. My copy of 100 selected poems of e. e. cummings, ninth printing, first edition from 1959, is ragged and worn with dog-eared pages, cracked binding and yellowing paper. I feel like I grew up with this book and each time I read it, it’s significance shifts.

Tomorrow, I return home to California for Christmas and New Years. Reading e. e. cummings reminds me that home, that the familiar can be found in many places. There’s no single passage or poem that I can pull out and show you, saying, “See? This. This is home.” It’s the marks on the pages, the weight of it in my hands, the softness of the paper’s edges.

Here are a few lines that make my heart flutter:

if we love each(shyly)

other,what clouds do or Silently

Flowers resembles beauty

less than our breathing

And

the snow carefully everywhere descending

(i do not know what it is about you that closes

and opens;only something in me understands

the voice of your eyes is deeper than all roses)

nobody,not even the rain,has such small hands

And I love that he’s not weepy or empty in his writing of love: every poem is a wealth of life and death, and occasionally politics and religion. There is weight and there is lightness; depth and brevity. I love it because it’s as calm and decisive and free as I want to be.

Pick up this book. You won’t put it down.

 

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New York Art Book Fair

Last weekend, I attended the New York Art Book Fair at MoMA PS1. It was my first time at PS1, and my 3rd and 4th times in Queens, but after going to the fair, I know I’ll be back.

Wow. If only I had hundreds of dollars to spare and the strongest arms in New York. I would’ve bought dozens of books instead of the 4 I splurged on. I was especially interested in seeing what local publishers brought to the fair. I signed up for a few newsletters, snagged a few business cards, but I was most impressed by a couple tables and areas in particular.

There were some great items to be found under the tent, in zine country. I was impressed and inspired by Jason Polan’s zines, like his book of locations he was fond of in his neighborhood and his book of every piece of art in MoMA. I had to pick up copies of Alfred Planco’s found book/collage books that make up clever poems in his adaptation of Sigmund Freud and charming metaphors in “The Edge”. Both are available at his Etsy store. And I would be remiss if I were not to mention the Bureau for Open Culture, run by such fantastic people as Mary Lum (a collaborator) and James Voorhies (the director and curator) . Not only were they selling beautiful, fascinating books, but there are professors at my alma mater, Bennington College. Unfortunately, I missed seeing Mary Lum there. She is amazing.

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Don’t Dream It, Be It

As I’ve just moved to a new place, I’m now looking for new employment. And what I’m finding, in my job hunting, is that I’m thinking more and more about what I really want to do in the long term.

SO. Here’s my list of my Top Five Dream Jobs, jobs I’d like to have in the next 5-10 years:

1. Executive Editor for a Comics/Graphic Novel publisher

2. Designer for Television or Film industry, designing logos, posters, fake company materials, opening/closing credits, etc

3. Greensperson for Television or Film, selecting plants for sets in accordance with what works for the scene (maybe even write a book about plants on film through history)

4. Movie and/or Book critic for a well-read magazine or website

5. Underground Comic success with speaking gigs around at different schools and events and all that sort of stuff

You may be thinking here, if you know me, if you’ve looked at my site, that it’s a bit strange how low on the list making comics is for me. Well, thing is, there’s things I’d like to do more than make a living drawing comics, but little I’d like more than being part of the process of comics being made, and being made accessible to the public.

I’d like to think these ambitions achievable. Right now, I’m rather going for every one at once. So. Let’s see where I end up.

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Books to Movies to Books

A couple weeks ago, I started re-reading Nick Hornby’s High Fidelity for the third time. For the last 5 or 6 years, my best friend and I have been passing the book between us, taking up all the margins with little notes to our future selves and each other. Two years before reading the book, the 2000 John Cusack film High Fidelity was in my All-Time Desert Island Top 5 Favorite Films. Rob Gordon/Fleming has been a sort of hero of mine for about 8 years.

I had some family staying with me recently and we watched High Fidelity together. I was continually embarrassed to put my grandparents through the foul language that had never stood out so much with friends but was glaringly apparent with conservative relatives. None the less, we watched the entire movie. I was already getting the sneaking suspicion that my former claims to loving both the movie and film separately was no longer true, but I came to a conclusion about each that I’d previously absolved: Rob Gordon and Rob Fleming are absurdly different characters.

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